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The Online Guitar Store - Mixing Audio: Concepts, Practices and Tools
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List Price: $49.95
Our Price: $30.61
Your Save: $ 19.34 ( 39% )
Availability: Usually ships in 24 hours
Manufacturer: Focal Press
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Average Customer Rating:  
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Binding: Paperback
Dewey Decimal Number: 781
EAN: 9780240520681
ISBN: 0240520688
Label: Focal Press
Manufacturer: Focal Press
Number Of Items: 1
Number Of Pages: 584
Publication Date: 2008-01-21
Publisher: Focal Press
Studio: Focal Press
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Editorial Reviews:
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Mixing remains one of the most illusive arts of recording practice and can take a life time to master. Looking at practices, concepts, tools and mixing instruments the author provides a comprehensive insight to the art and science of mixing.
Whether a hobbyist of professional this book covers basic concepts to advanced techniques as well as tips and tricks and is a vital read for anyone wanting to succeed in the field of mixing.
The book is accompanied by the website www.mixingaudio.com, featuring a sample chapter, illustrations, audio and a user forum.
* Rounded, extensive and complete coverage of music mixing
* Includes a DVD with over 700 audio samples and 4 sample mixes
* Covers new topics and mixing trends such as computer centred mixing
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Spotlight customer reviews:
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Customer Rating: 
Summary: Great buy
Comment: I have read many books and other media about audio mixing, this book is the best so far. The author explains the topics in great detail and in three ways: with text, with figures and with audio examples. The chapter on compressors alone is good reason to buy this book.
Customer Rating:
Summary: Just what I was looking for.
Comment: I was looking for a book about mixing covering all aspects from the very basics to sophisticated tricks. This book has it all.
I'm currently studying songwriting in college, and I have to write, record and mix a lot of songs. I needed some type of guide and I've found it on this book.
I have no noticed too much of the weird grammar some of the other reviewers said, though I have not finished reading the whole book and I'm not a native english speaker.
I recommend this book to anyone who wants to learn more about music producing in general, and to mix better songs.
Customer Rating:
Summary: Thank you Roey Izhaki
Comment: just want to say THANK YOU Roey Izhaki.
i love this book.
Dj Sport
Customer Rating:
Summary: the BEST book in its field
Comment: This big, thick, heavy tome is, without a doubt, one of the best books ever published on audio mixing and production. You will find it ALL in here - mixing tips and tricks, in-depth discussion of how compression, EQ, and all the other processors and effects work, good coverage of popular plug-ins and tools, in fact ... everything. It is an ambitious, thorough book, written by someone with an obvious love of the craft. It is aimed mostly at the recording musician, versus the hard-core sound engineer - meaning it is pretty easy to read and digest, with formulas and math kept thankfully to a minimum and relatively simple where they appear.
This book is THE resource for audio engineers, both professional and amateur/hobbyist. It is not a little paperback with a few cool "tricks" for hip hop producers. This is a book for serious people who want to learn, or reinforce their knowledge of, the whole field of audio mixing.
A major plus of this book is that it is very current. For example, the plug-in examples are things like Altiverb, McDSP, and Vintage Warmer. The song and artist examples are equally current. This is a 2008 book in every way. It is the first book in its field that was really written from the ground-up for the digital, DAW age, as opposed to many other books which are pre-DAW and obsessed with old (and expensive) pro studio gear that few people use anymore. Today's musician-producer does not care why an $80,000 mixing board from 1973 is better than some other board; he/she wants to know how to use compressor plugins to get a better sound. This book is truly ideal for people mixing in-the-box, because it is so DAW / plugin /software centric. Since I mix in-the-box I really loved this aspect of the book.
I am giving the book 5 stars for the content, though it does deserve to be dinged a star for some awkward writing. The grammar is weird, and occasionally interrupts or slows down the reading flow. However, the very notion that one would read an audio engineering book like a novel, so as to get pissed off at a writing style that throws off the "flow," is a testament to how good the content is. An editor should take another pass at this book and tighten it up a little.
There is no reason or excuse not to have this book, if you are into making music and mixing audio.
Customer Rating:
Summary: This is by far the best book that I have EVER read.
Comment: This is by far the best book that I have EVER read.
I have a dream of being a composer/producer and have dedicated 3 years learning by experimentation. Without reading this book last month, I would have spent another 30 years learning just the basics of what this book covers through experimentation.
I was particularly excited by the EXTENSIVE chapter on compression. I have read many websites, tutorials and manuals on compressors, but this is the first book that I've read that explains it from a truly musical perspective - and well it's just correct!
The book covers more territory in audio production and mixing (and mastering) than any book I've ever seen - and I even got a few chuckles out of it.
Add this book to your brain and you will be a contender in the audio mixing/production industry!
For you DnB wannabe's out there, there's even a MASTERCLASS CHAPTER on how to put together a killer DnB Track - and it's based on a track by someone you'll have heard of if you know anything at all about DnB. (The reason I write this is because SO MANY people are trying to write DnB, and producing it so poorly that it'll end up making the genre obsolete! Do yourself a favour, study hard with this book and you'll enjoy the fruits of your labour much more - and so will others.)
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